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1999 Volunteer Leadership Training Guide
Caring for Textile Heirlooms
Handout 1

Printer Friendly Version (PDF) Printer Friendly Version (PDF)

Heat and Humidity • Light • Insects • Pollutants • Storage • Display • CleaningSource for Acid-Free Materials

Proper care is important at all stages in the life of a textile we want to preserve. While most of us recognize the importance of proper care for old textiles, we seldom consider that new textiles require the same care if they are to look good when they are old.

While we have a natural desire to touch fabric – to caress its silky smoothness or rub its fuzzy woolen surface – this very touch is one of the greatest threats to its life. The touch of our hands can leave oils, grime and dirt on the surface of a fabric. Over time these substances become embedded in the fibers, causing them irreparable damage.

The first and best rule for preserving the life of a fabric is to avoid all unnecessary handling. If a fabric must be handled, make sure hands are clean and dry. Wash your hands often, or better yet, wear white cotton gloves to avoid depositing oil from the hands on the surface of the fabric. Never wear jewelry when handling or constructing textile items. Pronged rings, dangling pendants or charms and metal watchbands may snag or tear fibers. Belt buckles, plastic tags, buttons and even loose sleeves can cause permanent abrasion. Fingernails should be trimmed short. Avoid using hand lotions and bath oils when handling textiles.

In addition to limiting handling, the preservation of textile keepsakes and heirlooms involves an understanding of the ways heat, humidity, light, insects and product pollutants cause permanent damage to textiles.

Heat and Humidity

Moist air, warmth and lack of air circulation encourage growth of mold which can stain fibers and cause deterioration. Inspect textiles regularly for mildew. A relative humidity of approximately 50 percent and temperatures of 60 to 65 degrees are generally suggested for most textile items. Avoid extreme fluctuations of humidity and temperature levels.

Light

Low light levels or darkness are recommended for textile storage and display areas. Ultraviolet rays from sunlight and fluorescent lights damage fibers and cause fading.

Insects

Paradichlorobenzene (PDB) moth crystals will aid in controlling insects. Place the crystals in a cloth bag or sock at the highest level possible in the storage closet or cabinet. Use moth crystals only for temporary measures. Avoid long-term use of PDB and other insecticides as they can react with materials. The chemical should never come in direct contact with the textiles.

Check for any possible damage to fabrics or colors. WARNING: PDB is toxic and should be kept out of the reach of children.

Alternatives to using moth crystals are vacuuming to remove both adult insects and their eggs, freezing the infected textile for two months, drycleaning or treating in a microwave oven for five minutes. If you use a microwave, make certain the item has no metal hooks, zippers or buttons.

Pollutants

Ordinary cardboard, paper, metal and wood deteriorate textiles and should not come in direct contact with textile items. Acids can migrate from wood and paper to textile items. Layers of acid-free tissue, acid-free mat board or washed, unbleached 100 percent cotton muslin can be used to protect the textiles and to line boxes or containers. (Wash the muslin yearly to retain its neutral state.) Acid-free boxes and acid-free tissue can be purchased from conservation supply businesses and museums. Avoid colored papers and tissue, such as blue tissue, as some are not colorfast and can stain textiles if moistened. Protect textiles from direct contact with wood (especially unsealed wood such as cedar chests). Avoid storing cotton, linen and rayon in cedar chests, as the acid from the wood is especially harmful to these fibers. Woods used near or in contact with textile items can be sealed with polyurethane varnish.

Plastics should not be used for storage of textiles as they may not allow air circulation and may also give off by-products as they decompose. Moisture trapped inside tightly sealed plastic bags or boxes can cause mildew to form. Plastics also attract dust as a result of the static electricity they generate.

Do not smoke around textiles. Nicotine turns fabrics yellow and tar and other by-products turn them dark gray; all speed up the fading of dyes and weakening of fibers.

Storage

Avoid storing textiles in attics, basements, kitchens, laundry rooms and unheated areas. Store items away from outside walls and areas where people smoke. Plastic and metal parts, buttons and other similar items should be removed from textiles prior to storage as they may cause stains. Rubberized shields and foam padding deteriorate with age and may also stain textile items.

Store textile items flat if possible. If items must be folded, use acid-free tissue or washed unbleached, 100 percent cotton muslin to cushion folds. Re-fold occasionally to distribute wear. Textile items can also be rolled onto acid-free cardboard tubes (at least 3 inches in diameter); or, on regular cardboard tubes wrapped with several layers of acid-free tissue or muslin. Wrap the textile item loosely around the tube, being careful to avoid creases. Some textile items may need layers of acid-free tissue or washed, unbleached cotton muslin inserted as the textile is rolled onto the tube. Quilted items should be rolled with the topside to the inside.

Fragile items and garments should not be hung. If items are hung, pad the hanger with polyester fiberfill and cover with washed, unbleached cotton muslin. To support the weight of heavy garments, use twill tape to take some of the weight from the shoulder area of the item. Loosely stitch the tape at the waist and to the hanger. Store with closures fastened. Cover stored textiles with acid-free tissue or washed, unbleached cotton muslin (washed yearly to prevent the formation of acids). While polyethelene plastics do not directly damage fibers, fabric covers are best as they allow air circulation.

Display

Muslin can be attached to the backside of a textile item to protect the item if it is hung. Attach two layers of twill tape for a casing at the top of the hanging. Insert a wooden dowel between the layers. Hook and loop tape can also be used. Attach the hook portion of the tape to a board fastened to the wall. Attach the loop portion to the textile item across the top of the back side for even support. Use only on textile items sturdy enough to withstand the weight of the item. A backing fabric (washed, unbleached cotton muslin) can also be stretched over a frame and the textile item basted to the backing using white cotton thread.

When displaying textiles, do not use cellophane tape, double-stick tape, staples, glue, pins, nails or tacks. All types of writing pens should be kept away from textiles. Use only pencils when writing or taking notes. Use cloth measuring tapes and smooth plastic rulers for taking measurements, never metal. Keep sharp-edged tools such as scissors, rotary cutters, mat knives and seam rippers on an adjacent table or inside trays or boxes.

Take down textile wall hangings occasionally to allow them to rest. The stress of continuous hanging strains the warp threads. Hang textile items smoothly. Folds and creases will cause streaking and fading and can cause brittle threads to break.

Cleaning

If safe for the textile item, vacuum it to remove loose dirt particles that can abrade and cut fibers. Vacuum at low suction (open vent slots). Place a piece of clean tulle or fiberglass screen over the textile item if the item is fragile or could be damaged or stressed by vacuuming.

Clean old textiles only if the process will not affect the color, shape or strength of the fabric. Color loss, bleeding, shrinkage and distortion can result from cleaning; however, the correct choice of cleaning procedure can protect the fabric by removing materials (foods, grease, etc.) that attract insect pests. Cleaning old textiles may help rid them of insects and improve their appearance, in addition to neutralizing the piece.

Wet cleaning (use of water) removes the acid build-up from cotton and linen textiles and leaves them cleaner and more flexible. Wool and silk are more difficult to wet clean as they become weakened when wet. To check for colorfastness, test each color and fabric with several drops of water. Let it soak in and then blot with a white blotter, tissue or cloth. Test several times in inconspicuous places. Repeat the procedure for use of a detergent solution. No hint of color should appear. If any part of the textile item is not colorfast, do not wet clean it.

Drycleaning can damage fragile textile items. The friction and abrasion of agitation as well as the heat can damage the item. Solvents used in drycleaning also remove the oils and waxes in natural fibers. Request the use of fresh or filtered solvent if you have a textile heirloom drycleaned. It is generally best if the item is not steamed or pressed after cleaning.

Damaged or weak areas can be strengthened by mending torn places and providing support for thin areas and stress points. A lightweight sheer fabric such as crepeline, silk chiffon or silk organza can be loosely stitched over the area to add stability.

To preserve the condition and extend the life of textile items, keep them as clean as possible. Cover them with unbleached, 100 percent cotton muslin or with acid-free tissue paper when you are not using them to keep dust and dirt from settling. Repeated cleaning is hard on textiles and can shorten their lives considerably.

Sources for Acid-Free Materials

"The Store," Old State House Museum, 300 W. Markham, Little Rock, AR 72201.
Phone: (501) 324-9685, after 5 p.m. (501) 324-9687.

The Hollinger Corporation, P.O. Box 8360, Fredricksburg, VA 22404.

Light Impressions, 439 Monroe Avenue, Rochester, NY 14607.

TALAS, 213 W. 35th Street, New York, NY 10001-1996.

University Products, Inc., P.O. Box 101, Holyoke, MA 01041.

Back to 1999 Volunteer Leader Training Guide


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Last Date Modified 08/05/2008
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